Literary Studies Archive

ISSN 1844 – 2021

Archive

Literary Studies Archive

2011

Adrian Radu	Politics, Poetics and Partition
Attila Kiss	REPRESENTATIONAL ETHICS AND SELF CULTURE OF THE THOREAUVIAN PILGRIMAGE - Volume I, Issue 1 - Spring 2008
Borbála Bökös	ON THE UNCANNY DOUBLE IN PAUL AUSTER’S NEW YORK TRILOGY - Volume I, Issue 1 - Spring 2008
Borbála Bökös	Penetrating “The Labyrinth of Endless Steps”: Identity, Space, and Narrative in Paul Auster's 'In the Country of Last Things'
Ecaterina Hantiu	AN (UN)USUAL TRANSATLANTIC TRAVELLER: THE EUROPEAN FAIRY TALE - Volume I, Issue 1 - Spring 2008
Ecaterina Hantiu	Irish Immigrants and Canadian Destinies in Margaret Atwood's “Alias Grace”
Enikő Maior	The Concept and Cultural Significance of the’ Schlemiel’ - Volume I, Issue 1 - Spring 2008
Enikő Maior	The First Real Schlemiel in Jewish American Literature
Eszter Krakkó	A Structuralist Understanding of Charlotte Brontë's Art and Fiction
Éva Pataki	CAUGHT BETWEEN TWO WORLDS -The Confusion of Cultural Identity in Three British Asian Novels
Natalia Vid	“SOVIET” ROBERT BURNS -IDEOLOGICAL ADAPTATION OF BURNS’ POETRY IN THE SOVIET UNION - Volume I, Issue 1 - Spring 2008
Oksana Blashkiv	SLAVIC CULTURE IN DMYTRO CYŽEVSKYJ'S PUBLICATIONS IN ENGLISH - Volume I, Issue 1 - Spring 2008
Ottilia Veres	ON MOURNING: THE TROPE OF LOOKING BACKWARDS IN J. M. COETZEE’S THE MASTER OF PETERSBURG - Volume I, Issue 1 - Spring 2008
Pia Thielmann	Dictatorship and Beyond: Madala's Children, Madala's Grandchildren, and Heute Wär Ich Mir Lieber Nicht Begegnet
Titus Pop	FROM EUROCENTRISM TO HYBRIDITY OR FROM SINGULARITY TO PLURALITY - Volume I, Issue 1 - Spring 2008

2012

Ana Drobot	Art and the Artist in Virginia Woolf's To the Lighthouse and Graham Swift's The Light of Day
Ana Olos	Cultural Polyphony in George Elliott Clarke's Works
Andreea Popescu	Immolation of the Self, Fall into the Abyss in Edgar Allan Poe's Tales
Csilla Hosszu Timea	Friend or Foe. George Huxley's Character in Robert Holdstock's Mythago Wood
Enachi-Vasluianu Luiza	Intratextual Repetition Stylistic Consistency and Uniformity in Rendering the Profile
Irina Panescu	The Isolated Individual in Faulkner's Light in August
Oana Ivan	Tristram Shandy. An Original and Profound English Novel of the Eighteenth Century
Titus Pop	Eastern and Western Cultural Commingling in Rushdie's Stories
Éva Pataki	The Nomad and the Tourist in Monica Ali's Brick Lane, Hanif Kureishi's The Buddha of Suburbia an
Claudia Titu	Under the Sign of Television: The Virgin Suicides by Jeffrey Eugenides

2013

Thomas Austenfeld		Playing the Prodigal: Walcott's Variations on a Biblical Parable
Dennis Leavens		Laughing into the Glare
Tamás Tukacs		“I Must Still Get Farther and More”: Repetition in Moll Flanders
Tamás Vraukó		Narrative: Assimilation or Integration? – The Attraction of the Middle Class
Enikö Maior		Leo Finkle’s Putative Victory
Andreea Popescu		Sacred Space, Rituals of Initiation in Herman Melville’s Moby-Dick
Irina-Ana Drobot		Musicality in Virginia Woolf’s The Waves and Graham Swift’s Ever After
Noemi Alice Bartha		Remake – An Autobiografictional Account of a Ventriloquising Self
Yıldıray Çevik		The Picaresque Revisited? Modern Picaresque Uses in Joyce Cary’s Herself Surprised
Zsuzsanna Tóth		Dreadful Monsters or Self-sacrificing Parents? Satanic Characters in Philip Pullman’s Trilogy, His Dark Materials
Gianina Daniela Sabău		A Psychoanalytic Reading of Graham Greene’s The Heart of the Matter
Georgiana-Elena Dilă		Butterflies and Voices in John Fowles’ The Collector
Maria Camelia Dicu		Love Structuring Yeats’s Artistic Creation – from Love to Poetry
Antonia Pâncotan		The “Madman” Who Cures the Psychiatrist of Sanity in Peter Shaffer’s Equus
Mihaela Prioteasa		The Paradox of Self-Inclusion in “The Purloined Letter”
Csilla Timea Crisan		Birthday Songs and Mementos A Family History in Some Lines in Robert Holdstock’s Avilion