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ISSN 1844 – 2021

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Literary Studies Archive

2011

Adrian Radu Politics, Poetics and Partition
Attila Kiss REPRESENTATIONAL ETHICS AND SELF CULTURE OF THE THOREAUVIAN PILGRIMAGE - Volume I, Issue 1 - Spring 2008
Borbála Bökös ON THE UNCANNY DOUBLE IN PAUL AUSTER’S NEW YORK TRILOGY - Volume I, Issue 1 - Spring 2008
Borbála Bökös Penetrating “The Labyrinth of Endless Steps”: Identity, Space, and Narrative in Paul Auster's 'In the Country of Last Things'
Ecaterina Hantiu AN (UN)USUAL TRANSATLANTIC TRAVELLER: THE EUROPEAN FAIRY TALE - Volume I, Issue 1 - Spring 2008
Ecaterina Hantiu Irish Immigrants and Canadian Destinies in Margaret Atwood's “Alias Grace”
Enikő Maior The Concept and Cultural Significance of the’ Schlemiel’ - Volume I, Issue 1 - Spring 2008
Enikő Maior The First Real Schlemiel in Jewish American Literature
Eszter Krakkó A Structuralist Understanding of Charlotte Brontë's Art and Fiction
Éva Pataki CAUGHT BETWEEN TWO WORLDS -The Confusion of Cultural Identity in Three British Asian Novels 
Natalia Vid “SOVIET” ROBERT BURNS -IDEOLOGICAL ADAPTATION OF BURNS’ POETRY IN THE SOVIET UNION - Volume I, Issue 1 - Spring 2008
Oksana Blashkiv SLAVIC CULTURE IN DMYTRO CYŽEVSKYJ'S PUBLICATIONS IN ENGLISH - Volume I, Issue 1 - Spring 2008
Ottilia Veres ON MOURNING: THE TROPE OF LOOKING BACKWARDS IN J. M. COETZEE’S THE MASTER OF PETERSBURG - Volume I, Issue 1 - Spring 2008
Pia Thielmann Dictatorship and Beyond: Madala's Children, Madala's Grandchildren, and Heute Wär Ich Mir Lieber Nicht Begegnet
Titus Pop FROM EUROCENTRISM TO HYBRIDITY OR FROM SINGULARITY TO PLURALITY - Volume I, Issue 1 - Spring 2008

2012

Ana Drobot Art and the Artist in Virginia Woolf's To the Lighthouse and Graham Swift's The Light of Day
Ana Olos Cultural Polyphony in George Elliott Clarke's Works
Andreea Popescu Immolation of the Self, Fall into the Abyss in Edgar Allan Poe's Tales
Csilla Hosszu Timea Friend or Foe. George Huxley's Character in Robert Holdstock's Mythago Wood
Enachi-Vasluianu Luiza Intratextual Repetition Stylistic Consistency and Uniformity in Rendering the Profile
Irina Panescu The Isolated Individual in Faulkner's Light in August
Oana Ivan Tristram Shandy. An Original and Profound English Novel of the Eighteenth Century
Titus Pop Eastern and Western Cultural Commingling in Rushdie's Stories
Éva Pataki The Nomad and the Tourist  in Monica Ali's Brick Lane, Hanif Kureishi's The Buddha of Suburbia an
Claudia Titu Under the Sign of Television: The Virgin Suicides by Jeffrey Eugenides

2013

Thomas Austenfeld Playing the Prodigal: Walcott's Variations on a Biblical Parable
Dennis Leavens Laughing into the Glare
Tamás Tukacs “I Must Still Get Farther and More”: Repetition in Moll Flanders
Tamás Vraukó Narrative: Assimilation or Integration? – The Attraction of the Middle Class
Enikö Maior Leo Finkle’s Putative Victory
Andreea Popescu Sacred Space, Rituals of Initiation in Herman Melville’s Moby-Dick
Irina-Ana Drobot Musicality in Virginia Woolf’s The Waves and Graham Swift’s Ever After
Noemi Alice Bartha Remake – An Autobiografictional Account of a Ventriloquising Self
Yıldıray Çevik The Picaresque Revisited? Modern Picaresque Uses in Joyce Cary’s Herself Surprised
Zsuzsanna Tóth Dreadful Monsters or Self-sacrificing Parents? Satanic Characters in Philip Pullman’s Trilogy, His Dark Materials
Gianina Daniela Sabău A Psychoanalytic Reading of Graham Greene’s The Heart of the Matter
Georgiana-Elena Dilă Butterflies and Voices in John Fowles’ The Collector
Maria Camelia Dicu Love Structuring Yeats’s Artistic Creation – from Love to Poetry
Antonia Pâncotan The “Madman” Who Cures the Psychiatrist of Sanity in Peter Shaffer’s Equus
Mihaela Prioteasa The Paradox of Self-Inclusion in “The Purloined Letter”
Csilla Timea Crisan Birthday Songs and Mementos A Family History in Some Lines in Robert Holdstock’s Avilion